{"id":8955,"date":"2018-09-27T20:43:34","date_gmt":"2018-09-27T20:43:34","guid":{"rendered":"http:\/\/laplumedeloiseaulyre.com\/?p=8955"},"modified":"2026-02-08T19:44:22","modified_gmt":"2026-02-08T19:44:22","slug":"le-superbe-prelude-de-fritz-kreisler-pour-violon-et-piano","status":"publish","type":"post","link":"https:\/\/laplumedeloiseaulyre.com\/?p=8955","title":{"rendered":"Le superbe pr\u00e9lude de Fritz Kreisler pour violon et piano"},"content":{"rendered":"<div id=\"attachment_8976\" style=\"width: 510px\" class=\"wp-caption aligncenter\"><img aria-describedby=\"caption-attachment-8976\" loading=\"lazy\" class=\"size-full wp-image-8976\" src=\"https:\/\/i1.wp.com\/laplumedeloiseaulyre.com\/wp-content\/uploads\/2018\/09\/T3589_Fritz-Kreisler-in-recital-at-Royal-Albert-Hall-February-1932-1000w-250x292@2x.jpg?resize=500%2C584\" alt=\"\" width=\"500\" height=\"584\" srcset=\"https:\/\/i1.wp.com\/laplumedeloiseaulyre.com\/wp-content\/uploads\/2018\/09\/T3589_Fritz-Kreisler-in-recital-at-Royal-Albert-Hall-February-1932-1000w-250x292@2x.jpg?w=500&amp;ssl=1 500w, https:\/\/i1.wp.com\/laplumedeloiseaulyre.com\/wp-content\/uploads\/2018\/09\/T3589_Fritz-Kreisler-in-recital-at-Royal-Albert-Hall-February-1932-1000w-250x292@2x.jpg?resize=257%2C300&amp;ssl=1 257w, https:\/\/i1.wp.com\/laplumedeloiseaulyre.com\/wp-content\/uploads\/2018\/09\/T3589_Fritz-Kreisler-in-recital-at-Royal-Albert-Hall-February-1932-1000w-250x292@2x.jpg?resize=160%2C187&amp;ssl=1 160w\" sizes=\"(max-width: 500px) 100vw, 500px\" data-recalc-dims=\"1\" \/><p id=\"caption-attachment-8976\" class=\"wp-caption-text\"><strong>Fritz Kreisler en r\u00e9cital au Royal Albert Hall, Londres, 1932<\/strong> \u00a9Tully Potter Collection<\/p><\/div>\n<p style=\"text-align: justify;\">Comment ne pas \u00eatre touch\u00e9 par le superbe <strong>Pr\u00e9lude et allegro<\/strong> de Friedrich (Fritz) Kreisler, compositeur et violoniste autrichien (1875-1962), \u00e9l\u00e8ve d&rsquo;Anton Bruckner et de L\u00e9o Delibes ? L&rsquo;oeuvre, cr\u00e9\u00e9e en 1910, est dite &laquo;&nbsp;dans le style de Pugnani&nbsp;&raquo;, en rappelant l&rsquo;hommage fac\u00e9tieux de Kreisler au violoniste et compositeur italien Giulio Gaetano Gerolamo Pugnani (1731-1798). <strong>En effet, Fritz Kreisler avait l&rsquo;habitude d&rsquo;attribuer faussement quelques-unes de ses compositions \u00e0 des auteurs du XVIIIe si\u00e8cle.<\/strong> Ce n&rsquo;est que dans les ann\u00e9es 1930 que l&rsquo;on d\u00e9couvrit la supercherie !&nbsp;Grand virtuose et auteur de nombreux arrangements musicaux pour violon, Fritz Kreisler effectue plusieurs tourn\u00e9es entre l&rsquo;Autriche, l&rsquo;Allemagne, la France et s&rsquo;installe d\u00e9finitivement aux \u00c9tats-Unis au moment de la guerre de 39-45 o\u00f9 il finit sa vie.<\/p>\n<p style=\"text-align: justify;\">_____<\/p>\n<p style=\"text-align: justify;\">Voir la partition du<em><a href=\"https:\/\/imslp.org\/wiki\/Praeludium_and_Allegro_in_the_Style_of_Pugnani_(Kreisler%2C_Fritz)\" target=\"_blank\" rel=\"noopener\"> Praeludium et Allegro dans le style de Pugnani<\/a><\/em> par Fritz Kreisler.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe class='youtube-player' width='860' height='484' src='https:\/\/www.youtube.com\/embed\/NBvjFhwCZAE?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=fr-FR&#038;autohide=2&#038;wmode=transparent' allowfullscreen='true' style='border:0;' sandbox='allow-scripts allow-same-origin allow-popups allow-presentation'><\/iframe><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Comment ne pas \u00eatre touch\u00e9 par le superbe Pr\u00e9lude et allegro de Friedrich (Fritz) Kreisler, compositeur et violoniste autrichien (1875-1962), \u00e9l\u00e8ve d&rsquo;Anton Bruckner et de L\u00e9o Delibes ? L&rsquo;oeuvre, cr\u00e9\u00e9e en 1910, est dite &laquo;&nbsp;dans le style de Pugnani&nbsp;&raquo;, en&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/laplumedeloiseaulyre.com\/?p=8955\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":1,"featured_media":8976,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":""},"categories":[122],"tags":[5278,5282,511,2331,4108,300,5279,5283,5277,5280,5284,531,1873,5276,509,5281],"jetpack_featured_media_url":"https:\/\/i1.wp.com\/laplumedeloiseaulyre.com\/wp-content\/uploads\/2018\/09\/T3589_Fritz-Kreisler-in-recital-at-Royal-Albert-Hall-February-1932-1000w-250x292@2x.jpg?fit=500%2C584&ssl=1","jetpack_shortlink":"https:\/\/wp.me\/p4lzfC-2kr","_links":{"self":[{"href":"https:\/\/laplumedeloiseaulyre.com\/index.php?rest_route=\/wp\/v2\/posts\/8955"}],"collection":[{"href":"https:\/\/laplumedeloiseaulyre.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/laplumedeloiseaulyre.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/laplumedeloiseaulyre.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/laplumedeloiseaulyre.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8955"}],"version-history":[{"count":9,"href":"https:\/\/laplumedeloiseaulyre.com\/index.php?rest_route=\/wp\/v2\/posts\/8955\/revisions"}],"predecessor-version":[{"id":16938,"href":"https:\/\/laplumedeloiseaulyre.com\/index.php?rest_route=\/wp\/v2\/posts\/8955\/revisions\/16938"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/laplumedeloiseaulyre.com\/index.php?rest_route=\/wp\/v2\/media\/8976"}],"wp:attachment":[{"href":"https:\/\/laplumedeloiseaulyre.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8955"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/laplumedeloiseaulyre.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8955"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/laplumedeloiseaulyre.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8955"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}