{"id":10963,"date":"2020-08-26T15:24:17","date_gmt":"2020-08-26T15:24:17","guid":{"rendered":"http:\/\/laplumedeloiseaulyre.com\/?p=10963"},"modified":"2020-08-26T17:27:04","modified_gmt":"2020-08-26T17:27:04","slug":"un-dessin-botanique-intemporel-la-grande-touffe-dherbes-dalbrecht-durer","status":"publish","type":"post","link":"http:\/\/laplumedeloiseaulyre.com\/?p=10963","title":{"rendered":"Un dessin botanique intemporel : la Grande Touffe d’herbes d’Albrecht D\u00fcrer"},"content":{"rendered":"

Albrecht D\u00fcrer (1471-1528) La Grande Touffe d’herbes<\/em><\/strong>, 1503, aquarelle et gouache \u00a9Vienne, mus\u00e9e de l’Albertina<\/p><\/div>\n

👨🏼\u200d🎨<\/span><\/span>En 1503, Albrecht D\u00fcrer qui est \u00e2g\u00e9 d\u2019une trentaine d’ann\u00e9es peint \u00e0 l’aquarelle sa c\u00e9l\u00e8bre \u00e9tude botanique appel\u00e9e \u00ab La Grande Touffe d\u2019herbes \u00bb, aujourd\u2019hui conserv\u00e9e au mus\u00e9e de l’Abertina de Vienn<\/a>e.<\/p>\n

🔎<\/span><\/span>Il s’agit d\u2019un dessin \u00e0 l\u2019aquarelle repr\u00e9sentant un ensemble de plantes sauvages parmi lesquelles on distingue plusieurs esp\u00e8ces v\u00e9g\u00e9tales :
\n– le Grand Plantain<\/strong> (Plantago major<\/em>)
\n– le Pissenlit<\/strong> (Taraxacum officinal<\/em>)
\n– le <\/span>P\u00e2turin des pr\u00e9s<\/strong><\/span> (<\/span>Poa pratensis<\/em><\/span>)
\n– l\u2019<\/span>Agrostide stolonif\u00e8re<\/strong><\/span> (<\/span>Agrostis stolonifera<\/em><\/span>)
\n– la <\/span>P\u00e2querette<\/strong><\/span> (<\/span>Bellis perennis<\/em><\/span>)
\n– la <\/span>V\u00e9ronique petit-ch\u00eane<\/strong><\/span> (<\/span>Veronica chamaedrys<\/em><\/span>)
\n– la <\/span>Cynoglosse<\/strong><\/span> (<\/span>Cynoglossum officinale<\/em><\/span>)
\n– l\u2019<\/span>Achill\u00e9e millefeuille<\/strong><\/span> (<\/span>Achillea millefolium<\/em><\/span>)<\/span><\/p>\n

\n

🌱<\/span><\/span>Comme une planche d’herbier de peintre, cette oeuvre est remarquable par son naturalisme et par la qualit\u00e9 de des d\u00e9tails. Observez notamment le r\u00e9alisme des sp\u00e9cimens en vous penchant plus particuli\u00e8rement en bas du dessin car l’on y distingue le d\u00e9licat syst\u00e8me racinaire de quelques v\u00e9g\u00e9taux.<\/p>\n

 <\/p>\n

🌍<\/span><\/span>Cette m\u00e9ditation sur le cosmos m\u00e9rite attention car elle r\u00e9v\u00e8le, derri\u00e8re une apparente simplicit\u00e9, comment l\u2019artiste \u00e9labore la structure des plantes de ses tableaux (sans doute copi\u00e9es en atelier s\u00e9par\u00e9ment) qu\u2019il dotera par le suite de symboliques mystiques. Autrement dit, c\u2019est en partant de la m\u00e9ditation sur la nature incarn\u00e9e que l\u2019on peut \u00e9lever son esprit vers les r\u00e9alit\u00e9s sacr\u00e9es.<\/p>\n

 <\/p>\n

💫<\/span><\/span>Cette attitude sera aussi celle de William Blake, quelques si\u00e8cles plus tard, lorsqu\u2019il \u00e9crit son po\u00e8me \u00ab Voir le monde dans un grain de sable \u00bb. Le po\u00e8te anglais s\u2019\u00e9merveille devant l\u2019infiniment petit qui lui d\u00e9couvre l\u2019infiniment grand:<\/p>\n

« Voir le monde dans un grain de sable
\nEt le ciel dans une fleur sauvage,
\nTenir l’Infini dans la paume de la main
\nEt l’\u00e9ternit\u00e9 dans l\u2019heure qui vient. »<\/p>\n

To see a world in a grain of sand,<\/em>
\nAnd a heaven in a wild flower,<\/em>
\nHold infinity in the palm of your hand,<\/em>
\nAnd eternity in an hour.<\/em><\/p>\n

(Auguries of innocence)<\/p>\n

G.LS.G. 26 ao\u00fbt 2020 <\/strong><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

👨🏼\u200d🎨En 1503, Albrecht D\u00fcrer qui est \u00e2g\u00e9 d\u2019une trentaine d’ann\u00e9es peint \u00e0 l’aquarelle sa c\u00e9l\u00e8bre \u00e9tude botanique appel\u00e9e \u00ab La Grande Touffe d\u2019herbes \u00bb, aujourd\u2019hui conserv\u00e9e au mus\u00e9e de l’Abertina de Vienne. 🔎Il s’agit d\u2019un dessin \u00e0 l\u2019aquarelle repr\u00e9sentant un…<\/p>\n

Read more →<\/a><\/p>\n","protected":false},"author":1,"featured_media":10964,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":""},"categories":[5338,10],"tags":[3638,6107,3587,562,2174,375,4387,439,6109,4329,1336,2931,4623,4624,379,5915,6108,3174,2250,5814,4482,5974,6106,6110,105],"jetpack_featured_media_url":"https:\/\/i1.wp.com\/laplumedeloiseaulyre.com\/wp-content\/uploads\/2020\/08\/800px-Albrecht_D\u00fcrer_-_The_Large_Piece_of_Turf_1503_-_Google_Art_Project.jpg?fit=800%2C1028","jetpack_shortlink":"https:\/\/wp.me\/p4lzfC-2QP","_links":{"self":[{"href":"http:\/\/laplumedeloiseaulyre.com\/index.php?rest_route=\/wp\/v2\/posts\/10963"}],"collection":[{"href":"http:\/\/laplumedeloiseaulyre.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/laplumedeloiseaulyre.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/laplumedeloiseaulyre.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/laplumedeloiseaulyre.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10963"}],"version-history":[{"count":2,"href":"http:\/\/laplumedeloiseaulyre.com\/index.php?rest_route=\/wp\/v2\/posts\/10963\/revisions"}],"predecessor-version":[{"id":10966,"href":"http:\/\/laplumedeloiseaulyre.com\/index.php?rest_route=\/wp\/v2\/posts\/10963\/revisions\/10966"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/laplumedeloiseaulyre.com\/index.php?rest_route=\/wp\/v2\/media\/10964"}],"wp:attachment":[{"href":"http:\/\/laplumedeloiseaulyre.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10963"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/laplumedeloiseaulyre.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10963"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/laplumedeloiseaulyre.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10963"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}